![]() ![]() ![]() It's a good story, with nice insights into our characters, but I really loved Tony Harris's decorative borders for the pages. What's really awesome, though, is a flashback drawn by Guy Davis, the main and best of the SMT artists- it really adds to the whole feel of the story as authentically rooted in the other series (which takes place way in the past, but was then-ongoing, I believe).įrom there, we segue into "Hell and Back," where Jack and the O'Dares must figure out how to activate a poster that's a portal into hell, inside which the Shade and and one of the O'Dares has been trapped. ![]() It is a little weird to see a story that very much uses the Sandman Mystery Theatre version of the Sandman but also acknowledges the Sandman's participation in the Justice Society, something very much against the tone and feel of SMT itself. Nice to see that she got that writing career off the ground! The plot here is kinda so-so, but who cares? I especially liked the fact that Jack primarily geeks out over Dian, not Wesley. The story even ends with Wes and Dian heading off on a final globetrotting journey, which will lead into their final appearances in Sleep of Reason and Justice Be Done. As someone who loved Sandman Mystery Theatre, I really appreciated this storyline- it's awesome seeing Wes and Dian sixty years on, older but still recognizably themselves. ![]() This book collects a couple storylines of Starman the first big one is "Sand and Stars," which see Jack Knight traveling to New York City to check in on Wesley Dodds and Dian Belmont for a case he's working on. ![]()
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